“我是自然光线的崇拜者：

如果可能的话，我希望剪裁出一片蓝天。

（cut out the blue of the sky）”

——Carlo Scarpa

卡洛·斯卡帕

意大利现代理性主义建筑师

“光”记录着生活，

是温暖空间的媒介。

一切的一切，

因为光折射出无数精彩。

静沐其中，就算隆冬，也有春意盎然之感。

打造光与影共舞的建筑，

探索光与人居生活之间的交相辉映。

展现空间的内敛美，不动声色，

带来身心的安宁与惬意。

光与影、柔和的曲线，

让室外与室内之间自由生长。

"Light" is a warm medium for us to integrate

into nature and record our life and growth

All the colors, utensils, environments

Everything, because the light refracts countless

wonderful Even in the middle of winter, there is

a sense of spring The design of this case aims

to use simple and plain forms and materialsBuilding

a building dancing with light Choose

a low-key minimalist,

natural but Zen style match Explore the interaction

between light and human life It shows the inner

beauty of the space and brings peace

and contentment tothe body and mind.

A glimpse of / blend with each other

浮光掠影/相融相生

本案设计旨在以简约、质朴的形式与取材，大面积上使用白色、米色为主色调，以黑、绿、原木或金属来点缀空间。白色，是温暖的、包容的，是低调的、内敛的，是不张扬的默默接受一切、充满无限可能的颜色，是让光与影、空与实达到融合的最佳媒介。

The design of this case is designed to use simple and simple form and materials, using white and beige as the main tone on a large area, and decorating the space with black, green, log or metal. White, is warm, inclusive, low-key, introverted, is a silent acceptance of everything, full of infinite possible colors, is the best medium for the integration of light and shadow, emptiness and reality.

当白色遇见光，这抹光，就是夏末的清晨，像是一副暖色调的油画；这抹光，又是掠过树影的斑驳，层峦叠错，摇曳间有跳跃的喜悦。

When the white meets the light, it is the early morning at the end of summer, like a warm oil painting, and the light is mottled across the shadows of the trees, with layers of mistakes, and the joy of jumping between swaying.

室内部分，设计师刻意保留了空间上的留白，让投射进来的自然光，有了更多展示自我的空间，将它捕捉，与装饰光相呼应，融为一体，又有层次感，建筑便多了几分灵魂。

Interior part, the designer deliberately retained the space blank, so that the projection of natural light, there is more space to show themselves, it will be captured, echoed with the decorative light, integrated, and a sense of hierarchy, the building will be a bit more soul.

如果过于柔软与温暖，则会减弱建筑的稳重与坚强，在水吧区选取了大理石，线条简约利落，强化视觉的同时，让石头的冷静中和了木材的温和以及绒面家具的奢华。

If it is too soft and warm, it will weaken the stability and strength of the building. Marble is selected in the water bar area, the lines are simple and neat, strengthen the vision, at the same time, let the calm of the stone neutralize the gentleness of wood and the luxury of suede furniture.

家具与器物的选择上，用弧度取代棱角，光与影相互映衬，气氛都变得纯粹起来，置身于此的人，卸去繁杂和忙乱带来的紧张、僵硬，回归自然的松弛与舒展。

In the choice of furniture and objects, radians are used instead of edges and corners, light and shadow set off each other, and the atmosphere becomes pure. People who are here remove the tension and stiffness brought about by complexity and bustle, and return to the relaxation and relaxation of nature.

同样的处理效果，以舒缓情绪的暖绿色，中和了白色、米色的纯粹。就这样，在尺度间蕴藏着微妙的平衡，让装饰与建筑本身相互成就。

The same treatment effect, with soothing warm green, neutralizes the purity of white and beige. In this way, there is a delicate balance between the scale, so that the decoration and the building itself achieve each other.

茶柜高低不一错落有致。疏落有致的空间里，力求做到每个支点、弧度，都能恰到好处的与光影的魅力交织交融，带来的不仅是视觉上的经典、耐看，还可勾勒出一个纯粹的感受，不为世俗所累，不为生活所扰，简单而自在。

The tea cabinets vary in height and height. In the sparse and elegant space, we strive to achieve that every fulcrum and Radian can be properly intertwined with the charm of light and shadow, bringing not only a visual classic and endurance, but also a pure feeling that is not burdened by secularity. not disturbed by life, simple and comfortable.

为了让光在空间里自由随意流转，设计师重点选择质朴、自然的木材家具，整体白色、米色色调里，偶有的绿植和黑色的木桌给予点缀，仿佛感受到森林里的暖意，青草的芳香，鸟儿细碎的低鸣，几乎是每个都市人向往大自然的内心独白。舒坦、妥切，就是来自这看似无意，实则深思熟虑的讲究与用心。

In order to let the light flow freely in the space, designers focus on simple and natural wood furniture. In the overall white and beige tones, occasional green plants and black wooden tables are embellished, as if to feel the warmth of the forest and the fragrance of grass. the low song of birds is almost an inner monologue that every urbanite yearns for nature. Comfortable, appropriate, is from this seemingly unintentional, but actually thoughtful attention and intention.

Be carefree / carefree

游目畅怀/自在逍遥

“少即是多”，这样的极简的理念早已浸透建筑、结构美学、居家乃至人生处世哲学中。

The minimalist concept of "less is more" has long been permeated in architecture, structural aesthetics, home and even the philosophy of life.

设计师保持了空间的通透和轻盈，简约到极致，才能容万物，才会让光、让想象没有了限制。

Designers keep the space transparent and light, simple to the extreme, can accommodate all things, will let the light, so that there is no limit to imagination.

那些摆设、那些器物，在这个放慢了时间的空间里，安静的吐纳呼吸。远离都市的浮华与喧嚣，惬意与灵感在此不期而遇。

Those furnishings, those objects, in this space that slows down time, breathe quietly. Away from the ostentation and hustle and bustle of the city, coziness and inspiration meet unexpectedly here.

设计选择草灰绿颜色的沙发，搭配淡绿、芥末绿的器物，依据深浅变化形成层次，同时与窗外的湖光山色进行呼应，置身室内，与自然为邻、花草为伴。

每个阳光灿烂的日子，都有草木的清香，鸟儿的吟唱，远眺群山层层叠叠，云雾袅袅，“每个人心中都有一片森林”，在这盛下美好时光，是值得珍藏的温暖回忆。

Design choose grass gray green sofa, with light green, mustard green utensils, according to the depth change to form a level, at the same time echo with the lakes and mountains outside the window, stay indoors, with nature as neighbors, flowers and plants as companions.Every sunny day, there is the fragrance of plants, the singing of birds, overlooking the mountains, clouds curl, "everyone has a forest", in this good time, is worth cherishing warm memories.

茶室的设计上，糅合了诗韵禅意，“今人不见古时月，今月曾经照古人”，以白天的日光，还有夜间的月光，还原写意东方的宁静与悠远，于纷扰红尘中带来清凉与慰藉。

The design of the teahouse is a blend of poetic Zen. "Today people do not see the ancient moon, but this month once shines on the ancients." with the daylight of the day and the moonlight of the night, it restores the serenity and distance of the freehand East, bringing coolness and comfort in the troubled world of mortals.

Enjoy the fun / forget the opportunity

赏心乐事/陶然忘机

如同开篇所述，白色是温暖的、包容的、低调的、纯粹的，设计师以白色为主基调，尤其在卧室的设计上，更是大面积运用白色、灰白、米色、原木色等。

和外立面的白色不同，卧室里因为有了柔软织物的存在，以及柔和的灯光，强调了空灵、安静、虚实相生的效果。在心境与视觉上，助主人安心休息不被外物所打扰。

As mentioned at the beginning, white is warm, inclusive, low-key and pure, and the designer takes white as the main tone, especially in the design of the bedroom, but also the use of white, gray, beige, log color and so on.Different from the white of the facade, the bedroom emphasizes the effect of emptiness, quietness, emptiness and reality because of the existence of soft fabric and soft lighting. In the state of mind and vision, to help the host rest in peace and not be disturbed by external objects.

有人喜欢繁花似锦的热烈，有人喜欢清茶幽竹的素净，喜好没有对错，只有在不同的环境里，通过设计的营造，来表达怎样的心境。

Some people like the warmth of blooming flowers, others like the simplicity and purity of green tea and bamboo, there is no right or wrong preference, only in different environments, through the construction of design, to express what kind of state of mind.

本案是位于度假区的休闲别墅，设计上运用极简设计，在满足功能主义的基础上，注重光与环境的共生与融合，在克制与取舍、尊重与礼让之下，遇见光、遇见温暖、遇见美好，遇见无限可能。

This case is a leisure villa located in the resort area, which is designed with minimalist design. On the basis of meeting functionalism, it pays attention to the symbiosis and integration of light and environment. Under restraint and trade-off, respect and comity, it meets light, warmth, beauty and infinite possibilities.

项目名称 | CC.HOUSE

项目地址 | 浙江省 宁波市

主创设计师 | 冷晨辉

设计公司 | 茧界设计（上海）有限公司

软装设计 | 茧界设计

参与设计 | 彭礼根、贾亭亭、高丽娟、刘晓龙、毕玉翔

主创设计

冷晨辉

茧界设计创始人/设计总监

由在室内设计界从业多年的优秀设计师创办并经营的、以设计事务为主的创作型设计机构，擅长酒店及别墅空间等规划设计、陈设配饰设计。设计团队秉承设计理念，创造出类型丰富的项目成果，这些项目成果无一不体现出我们对理论与设计的实践，是一支拥有着各种不同风格的设计团队。

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